A Simple Life
Unmounted: 21 x 28cm
Mounted: 29 x 36cm
“A Simple Life” - isn’t that what most of us want? This one-off botanical print is made using tufted vetch - Vicia cracca, greater bird’s-foot trefoil - Lotus uliginosus and bistort - Polygonum persicaria with watercolour detail of a cabbage white butterfly - Pieris rapae.
When you buy one of my prints, you are buying a one-of-a-kind original. There is only one print in the edition - no reproductions are made.
I use the Gelli plate method to get the very fine detail, printing directly from the plants themselves. I forage my plants locally and sustainably - from verges, hedgerows and my own garden (and sometimes a friend’s).
Usually, I use oil based, archival inks that have good colour fastness and are tolerant to light. Occasionally I use water based inks and these, although also archival, do not like getting wet. (Although no artwork likes getting wet!) If I have used water based inks, I spray the print lightly with a fixative to help preserve it.
The bugs, butterflies and other creatures in my prints are all hand painted, by me, after printing - either using watercolour, gouache or acrylics.
Unmounted: 21 x 28cm
Mounted: 29 x 36cm
“A Simple Life” - isn’t that what most of us want? This one-off botanical print is made using tufted vetch - Vicia cracca, greater bird’s-foot trefoil - Lotus uliginosus and bistort - Polygonum persicaria with watercolour detail of a cabbage white butterfly - Pieris rapae.
When you buy one of my prints, you are buying a one-of-a-kind original. There is only one print in the edition - no reproductions are made.
I use the Gelli plate method to get the very fine detail, printing directly from the plants themselves. I forage my plants locally and sustainably - from verges, hedgerows and my own garden (and sometimes a friend’s).
Usually, I use oil based, archival inks that have good colour fastness and are tolerant to light. Occasionally I use water based inks and these, although also archival, do not like getting wet. (Although no artwork likes getting wet!) If I have used water based inks, I spray the print lightly with a fixative to help preserve it.
The bugs, butterflies and other creatures in my prints are all hand painted, by me, after printing - either using watercolour, gouache or acrylics.
Unmounted: 21 x 28cm
Mounted: 29 x 36cm
“A Simple Life” - isn’t that what most of us want? This one-off botanical print is made using tufted vetch - Vicia cracca, greater bird’s-foot trefoil - Lotus uliginosus and bistort - Polygonum persicaria with watercolour detail of a cabbage white butterfly - Pieris rapae.
When you buy one of my prints, you are buying a one-of-a-kind original. There is only one print in the edition - no reproductions are made.
I use the Gelli plate method to get the very fine detail, printing directly from the plants themselves. I forage my plants locally and sustainably - from verges, hedgerows and my own garden (and sometimes a friend’s).
Usually, I use oil based, archival inks that have good colour fastness and are tolerant to light. Occasionally I use water based inks and these, although also archival, do not like getting wet. (Although no artwork likes getting wet!) If I have used water based inks, I spray the print lightly with a fixative to help preserve it.
The bugs, butterflies and other creatures in my prints are all hand painted, by me, after printing - either using watercolour, gouache or acrylics.